Student Representatives

LAHP’s Student Representatives play a crucial role in working with students and the LAHP team to enhance our students’ experience, share ideas about LAHP’s work (including on training & cohort development, collaborations & partnerships, and equality, diversity & inclusion), and raise any concerns.

Current LAHP Student Representatives

  • Yasmin Vicente (LSE)

    y.g.vicente@lse.ac.uk

    @getyrana

    • Third year PhD Researcher at LSE
    • Department of International History
    • Project: The organising of domestic workers in the Young Christian Workers movement in Brazil and Colombia (1956-1988)
    • Hobbies: movies, walking through London, crochet
  • Agnieszka Serdynska (KCL)

    agnieszka.m.serdynska@kcl.ac.uk

    • Second year PhD Researcher at KCL
    • Department: English Language and Literature
    • Project title: What’s the use of books anyway? The value and purpose of literature in Victorian Britain
  • Daniel Durnin (RCA)

    daniel.durnin@network.rca.ac.uk

    • Third year PhD Researcher at RCA
    • Department: School of Arts and Humanities
    • Project title: A Practise led investigation into the structures and systems of living through the prism of the back to the land, and survivalist movements within an ecological framework.
  • Veronica Marcu (RCSSD)

    Veronica.Marcu@cssd.ac.uk

    • Second year PhD Researcher at RCSSD
    • Department: Drama
    • Project title: Transnationalising solidarity: migrant Eastern European workers in the UK and cross-border practices of resistance
    • Completing a CDA in partnership with MayDay Rooms
  • Arianna Parisi (LSE)

    A.Parisi1@lse.ac.uk

    • Second year PhD Researcher at LSE
    • Department: International History
    • Project title: The Roots of the Black Abolitionist Feminist Tradition: From the Combahee River Collective to the Movement for Black Lives
  • Oleksandr Teliuk (QMUL)

    o.teliuk@qmul.ac.uk

    • First year PhD Researcher at QMUL
    • Department: Film
    • Project title: Soviet Ukrainian Film Stock: Between Military Modernisation and Archival Decolonisation

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